Library Elise Sutton

Female Supremacy Articles - Page 27

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He was correct. Narrative drives fashion. Ms. Versace’s is a tale of survival, and in the years since she quit a formidable cocaine habit and dedicated herself to reviving the flagging label, she has moved the company’s story forward shrewdly and with intelligence. The hiring of Alexandre Plokhov, the award-winning designer of Cloak, to assist with Versace’s men’s wear business resulted in a collection that not only looked East for design cues but also seemed to take seriously the idea that the future may be chilling in all kinds of ways.

This was made clear not so much by the snug suits as by the somber long coats that looked suitable for a stroll through Gorky Park. Wearing one, a man might experience a feeling opposite that evoked by the Prada collection. He might feel empowered, as Ms. Versace claimed she is whenever she slips on a 31-carat diamond ring given to her by her late brother, Gianni. At any rate, he might feel fortified against the winds of winter and a rapidly cooling economy.

DESPITE an occasional obligatory reference to the failure of the subprime mortgage market, there was little about the shows here to suggest that anyone was suffering the financial jitters. Yet perhaps the sobriety of the Armani show, whose keyword was “regal,” was a cue.