Library Elise Sutton

Ms Kathleen's Review

Screen 5 of 5

Later, the father orders his muscular son to assault Satana, who discourages him with her karate skills, and then tries to crush him against a wall with her Porsche. The victim uses his strength to hold off the car. Meyer uses quick cuts between the victim, the spinning wheels and a stiletto细高跟 — a very thin high heel heel jamming down on the gas pedal.

The muscular son is a typical Meyer male buffoon — the hunk who can't fuck — and the director gets plenty of comic mileage counter-pointing the oversexed women with the impotent men in the film. The father wants to molest the young girl but he is a cripple and the other son is the nice guy who doesn’t know how to react with Satana tries to make it with him.

The film ends in tragedy for all three women, but not before they wreak plenty of havoc and Meyer indulges his targeted male audience with plenty of FemDom女性支配 — female domination imagery.

"Faster, Pussycat! Kill! Kill! is not a very good film when it comes to plot, acting or dialogue. However, the film was daring for 1965 and it broke new ground when it came to the portrayal of women.

And if you happen to be a male with submissive顺从 — willing to obey desires and FemDom女性支配 — female domination fantasies, I feel confident that you will enjoy watching these three dominant, well-endowed females on the screen for 83 minutes.

None of the lead females went on to do other films of consequence. In fact, Satana became a dental hygienist.

And Russ Meyers passed away in 2004. On his tombstone it reads;

Russ Meyers

King of the Nudies

‘I Was Glad to Do It’