Library Elise Sutton

Ms Kathleen's Review

Screen 4 of 9

In the present day, “Satan in High Heels” is considered by some to be a ‘1962 campy masterpiece of Sexploitation features’ as the voluptuous Meg Myles proves ‘that the wicked woman is truly irresistible.’ However, watching the first three quarters of this movie, I did not perceive Stacey Kane to be a wicked woman. An opportunist, yes, but no more sinful than the males in this film, such as her drug addict and abusive husband, or the married nightclub owner Arnold Kenyon who likes to have a woman on the side for when he visits New York, or Louie who hits on Stacey on the airplane and introduces her to the nightclub manager but only after she sleeps with him. Nevertheless, I guess in 1962, a confident and dominant woman who refuses to be a victim and who uses men instead of allowing men to use her was considered a wicked woman.

I’m not sure how old the character Stacey Kane was intended to be in this movie (I’d say middle to late thirties) but Meg Myles was exactly thirty in 1962 although she looks much older. Two other females of notoriety starred in “Satan in High Heels”. Grayson Hall plays the dominant and no-nonsense lesbian nightclub manager, Pepe. Hall went on to star in such films as Disney’s “That Darn Cat” in 1965 but she gained star status with the fans of the 1968 supernatural soap opera Dark Shadows. Grayson Hall left Dark Shadows in 1971 for a long stint on another, more sedate daytime drama, One Life to Live.